- · Meet at AIPAD Photography Show @ 1PM at the Park Ave. Armory (perhaps the front lobby if its not too packed)
- · 643 Park Ave, New York, NY 10065
- · call or text me if you can’t find us or will be late (number is on hand out) I will also check my email occasionally too if it works in the building
- · Bring $10 for the admission fee
- · IF there is time and it’s a nice day we can walk down 6th ave to the ICP Book Sale at 1114 6th ave
PHOTO 1 SPRING 2014
Saturday, April 12, 2014
| 10 | April 13th |
Make Up Class!!
| 9 | April 12th |
• Photoshop: how to use digital files to make digital negatives to print onto silver gelatin B&W paper in the darkroom
• Using Photoshop to create B&W images
* Color filters and B&W Film info here and here
* VIDEO: Using the B&W Layer tool
* LINK: Film emulation filters
• Quick lens info demo
• How to make digital negative for contact printing
• Using Photoshop to create B&W images
* Color filters and B&W Film info here and here
* VIDEO: Using the B&W Layer tool
* LINK: Film emulation filters
• Quick lens info demo
• How to make digital negative for contact printing
• Demo in darkroom of contact printing from digital negatives
• Assignment #4 – digital B&W Contact Printing
• Assignment #4 – digital B&W Contact Printing
• Final Project given
For next week
• CRITIQUE!!: Assignment #4 – contact printing in the darkroom from digital negatives
For next week
• CRITIQUE!!: Assignment #4 – contact printing in the darkroom from digital negatives
• BRING: Final project ideas of one on one meetings
| 8 | April 5th |
Critique!!! Assignment #3 - Derive
For next week:
• BRING: in a file to use to make a digital negative for silver gelatin painting
• BRING: Silver gelatin paper (B&W darkroom paper)
For next week:
• BRING: in a file to use to make a digital negative for silver gelatin painting
• BRING: Silver gelatin paper (B&W darkroom paper)
Saturday, March 29, 2014
| 7 | March 28 |
• IN class by Junia Mortimer
• Camera RAW and Photoshop stuff (see below)
• Visualizing Color
• work on Project #3 in class
for next week:
•10 or more printed images from Project #3 that describe the experience of the space/place you chose to photograph
-----------------------------------------
VISUALIZING COLOR:
• Online - How well do you see color? Hue Test
• Color Matters: How computers see color
• Psychology of Color
• Color Perception
• What is Hue?
• Slideshow - how light effects color
VISUALIZING SPACE AND EXPOSURE:
• Cameras vs. the Human Eye
DIGITAL CAMERA SETTINGS:
• LINK to useful Nikon color settings information
• LINK to useful Canon using your camera settings
• Camera RAW and Photoshop stuff (see below)
• Visualizing Color
• work on Project #3 in class
for next week:
•10 or more printed images from Project #3 that describe the experience of the space/place you chose to photograph
-----------------------------------------
VISUALIZING COLOR:
• Online - How well do you see color? Hue Test
• Color Matters: How computers see color
• Psychology of Color
• Color Perception
• What is Hue?
• Slideshow - how light effects color
VISUALIZING SPACE AND EXPOSURE:
• Cameras vs. the Human Eye
DIGITAL CAMERA SETTINGS:
• LINK to useful Nikon color settings information
• LINK to useful Canon using your camera settings
WHITE BALANCE:
• LINK: Understanding White Balance
• Whibal - white balance card
• X-rite Color Checker - uses software to create color profiles for specific lighting situations
• Whibal - white balance card
• X-rite Color Checker - uses software to create color profiles for specific lighting situations
CAMERA RAW:
• Why should you use Camera RAW?
• What is Camera RAW
• Image size + Bit Depth
• Histograms + Histograms
• What is Chromatic Aberration
• Why should you use Camera RAW?
• What is Camera RAW
• Image size + Bit Depth
• Histograms + Histograms
• What is Chromatic Aberration
• Working with the Lens Correction Filter
USING PHOTOSHOP:
• Layers and History Panel
• Curves
• Working with Layers + rudimentary masks
• Blending modes
• Overlay for contrast (quick method)
• Luminosity Mask for contrast (using channels)
• Mulitply and Screen modes
• Burning and Dodging (shaping) using an Overlay layer
• Using a B&W Layer to create a B&W image
• Blending modes
• Overlay for contrast (quick method)
• Luminosity Mask for contrast (using channels)
• Mulitply and Screen modes
• Burning and Dodging (shaping) using an Overlay layer
• Using a B&W Layer to create a B&W image
- Creating Panoramas with Photomerge
- VIDEO: Adobe TV - using masks to replace the sky
- LINK: Using the "Refine Edge" panel to make fine selections such as hair
- VIDEO: Content Aware Move/Fill
- VIDEO: Removing unwanted details with Content Aware
- VIDEO: Using the Color Range command to make selections
- VIDEO: Using the Quick Selection tool
- Working with Layers + rudimentary masks
- VIDEO: Clone tool
- VIDEO: Healing brush tool
- VIDEO: Using Threshold to find white and black points for color correcting
- Advanced Technique: Luminance Blending
- Advanced Technique: Smart Objects
• Sharpening - Beginner: Unsharp Mask
• Sharpening - Advanced: High Pass Filter and Soft Proofing
• Sharpening - Advanced: Deke's Photoshop Top 40 Sharpening video
• Sharpening - Advanced: High Pass Filter and Soft Proofing
• Sharpening - Advanced: Deke's Photoshop Top 40 Sharpening video
DIGITAL PRINTING:
• Digital printing - paper information
• LINK: How to preview your print + print settings
• LINK: How to preview your print + print settings
Friday, March 7, 2014
| 6 | March 8 |
• Camera demo: 35mm (Pentax K-1000 online manual) and Twin Lens Yashica medium
format (online manual)
• HANDOUT: Roll film options discussed
• READING: Theory of the Dérive
• READING: Place and Space in Photography
• Scanning negatives demo
• Rudimentary Photoshop demo
In three weeks
• BRING: All files and already developed roll film from assignment #3. Be ready to print and scan.
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