- · Meet at AIPAD Photography Show @ 1PM at the Park Ave. Armory (perhaps the front lobby if its not too packed)
- · 643 Park Ave, New York, NY 10065
- · call or text me if you can’t find us or will be late (number is on hand out) I will also check my email occasionally too if it works in the building
- · Bring $10 for the admission fee
- · IF there is time and it’s a nice day we can walk down 6th ave to the ICP Book Sale at 1114 6th ave
Saturday, April 12, 2014
| 10 | April 13th |
Make Up Class!!
| 9 | April 12th |
• Photoshop: how to use digital files to make digital negatives to print onto silver gelatin B&W paper in the darkroom
• Using Photoshop to create B&W images
* Color filters and B&W Film info here and here
* VIDEO: Using the B&W Layer tool
* LINK: Film emulation filters
• Quick lens info demo
• How to make digital negative for contact printing
• Using Photoshop to create B&W images
* Color filters and B&W Film info here and here
* VIDEO: Using the B&W Layer tool
* LINK: Film emulation filters
• Quick lens info demo
• How to make digital negative for contact printing
• Demo in darkroom of contact printing from digital negatives
• Assignment #4 – digital B&W Contact Printing
• Assignment #4 – digital B&W Contact Printing
• Final Project given
For next week
• CRITIQUE!!: Assignment #4 – contact printing in the darkroom from digital negatives
For next week
• CRITIQUE!!: Assignment #4 – contact printing in the darkroom from digital negatives
• BRING: Final project ideas of one on one meetings
| 8 | April 5th |
Critique!!! Assignment #3 - Derive
For next week:
• BRING: in a file to use to make a digital negative for silver gelatin painting
• BRING: Silver gelatin paper (B&W darkroom paper)
For next week:
• BRING: in a file to use to make a digital negative for silver gelatin painting
• BRING: Silver gelatin paper (B&W darkroom paper)
Saturday, March 29, 2014
| 7 | March 28 |
• IN class by Junia Mortimer
• Camera RAW and Photoshop stuff (see below)
• Visualizing Color
• work on Project #3 in class
for next week:
•10 or more printed images from Project #3 that describe the experience of the space/place you chose to photograph
-----------------------------------------
VISUALIZING COLOR:
• Online - How well do you see color? Hue Test
• Color Matters: How computers see color
• Psychology of Color
• Color Perception
• What is Hue?
• Slideshow - how light effects color
VISUALIZING SPACE AND EXPOSURE:
• Cameras vs. the Human Eye
DIGITAL CAMERA SETTINGS:
• LINK to useful Nikon color settings information
• LINK to useful Canon using your camera settings
• Camera RAW and Photoshop stuff (see below)
• Visualizing Color
• work on Project #3 in class
for next week:
•10 or more printed images from Project #3 that describe the experience of the space/place you chose to photograph
-----------------------------------------
VISUALIZING COLOR:
• Online - How well do you see color? Hue Test
• Color Matters: How computers see color
• Psychology of Color
• Color Perception
• What is Hue?
• Slideshow - how light effects color
VISUALIZING SPACE AND EXPOSURE:
• Cameras vs. the Human Eye
DIGITAL CAMERA SETTINGS:
• LINK to useful Nikon color settings information
• LINK to useful Canon using your camera settings
WHITE BALANCE:
• LINK: Understanding White Balance
• Whibal - white balance card
• X-rite Color Checker - uses software to create color profiles for specific lighting situations
• Whibal - white balance card
• X-rite Color Checker - uses software to create color profiles for specific lighting situations
CAMERA RAW:
• Why should you use Camera RAW?
• What is Camera RAW
• Image size + Bit Depth
• Histograms + Histograms
• What is Chromatic Aberration
• Why should you use Camera RAW?
• What is Camera RAW
• Image size + Bit Depth
• Histograms + Histograms
• What is Chromatic Aberration
• Working with the Lens Correction Filter
USING PHOTOSHOP:
• Layers and History Panel
• Curves
• Working with Layers + rudimentary masks
• Blending modes
• Overlay for contrast (quick method)
• Luminosity Mask for contrast (using channels)
• Mulitply and Screen modes
• Burning and Dodging (shaping) using an Overlay layer
• Using a B&W Layer to create a B&W image
• Blending modes
• Overlay for contrast (quick method)
• Luminosity Mask for contrast (using channels)
• Mulitply and Screen modes
• Burning and Dodging (shaping) using an Overlay layer
• Using a B&W Layer to create a B&W image
- Creating Panoramas with Photomerge
- VIDEO: Adobe TV - using masks to replace the sky
- LINK: Using the "Refine Edge" panel to make fine selections such as hair
- VIDEO: Content Aware Move/Fill
- VIDEO: Removing unwanted details with Content Aware
- VIDEO: Using the Color Range command to make selections
- VIDEO: Using the Quick Selection tool
- Working with Layers + rudimentary masks
- VIDEO: Clone tool
- VIDEO: Healing brush tool
- VIDEO: Using Threshold to find white and black points for color correcting
- Advanced Technique: Luminance Blending
- Advanced Technique: Smart Objects
• Sharpening - Beginner: Unsharp Mask
• Sharpening - Advanced: High Pass Filter and Soft Proofing
• Sharpening - Advanced: Deke's Photoshop Top 40 Sharpening video
• Sharpening - Advanced: High Pass Filter and Soft Proofing
• Sharpening - Advanced: Deke's Photoshop Top 40 Sharpening video
DIGITAL PRINTING:
• Digital printing - paper information
• LINK: How to preview your print + print settings
• LINK: How to preview your print + print settings
Friday, March 7, 2014
| 6 | March 8 |
• Camera demo: 35mm (Pentax K-1000 online manual) and Twin Lens Yashica medium
format (online manual)
• HANDOUT: Roll film options discussed
• READING: Theory of the Dérive
• READING: Place and Space in Photography
• Scanning negatives demo
• Rudimentary Photoshop demo
In three weeks
• BRING: All files and already developed roll film from assignment #3. Be ready to print and scan.
| 5 | March 1 |
Critique!!! 5 well printed 4x5 images + 2 or more photograms
for next week:
Bring negative to learn how to scan (any format, color, B&W, or slide)
for next week:
Bring negative to learn how to scan (any format, color, B&W, or slide)
Saturday, February 22, 2014
| 4 | Feb. 22 |
• More printing in the darkroom
• Dodging and burning expained
• Printing techniques review
• Paper/Film?chemicals options handout
•PHOTOGRAM DEMO + SLIDESHOW
• Christian Schad
• Anna Atkins
• Anne Arden Mcdonald
• Walead Beshty
• Mike Sonnichsen
• László Moholy-Nagy
• Adam Fuss
• Man Ray
• Jaromír Funke
• Ellen Carey
• Hanno Otten
• Christian Marclay
• María Martínez-Cañas
• Abelardo Morell
• Dodging and burning expained
• Printing techniques review
• Paper/Film?chemicals options handout
•PHOTOGRAM DEMO + SLIDESHOW
• Christian Schad
• Anna Atkins
• Anne Arden Mcdonald
• Walead Beshty
• Mike Sonnichsen
• László Moholy-Nagy
• Adam Fuss
• Man Ray
• Jaromír Funke
• Ellen Carey
• Hanno Otten
• Christian Marclay
• María Martínez-Cañas
• Abelardo Morell
For Next Week:
• Critique! 5 (or more) well printed 4x5 B&W images
• Critique! 2 (or more) Photograms
Friday, February 7, 2014
| 3 | Feb. 8 |
- · Darkroom: printing contact sheets
- · Darkroom: enlarging 4x5 negatives
- · Contrast filters, Burning/Dodging
- · Photogram demo
- · Assignment #2 Photograms given
- What is a photogram? Wikipedia : other
- Handouts from class: Photogram - class rundown
In two
weeks (Feb. 22):
· BRING: 8x10 Silver Gelatin paper
· BRING: 4x5 Negatives you have shot and developed: ready to print
· BRING: Materials to make Photograms
· BRING: Materials to make Photograms
In three weeks (March 1):
• CRITIQUE of 4x5 images and Photograms
| 2 | Feb. 1 |
- · In class 4x5 shoot
- · In class developing 4x5 film
- · Tilts, swings, + rise and fall covered
- · Handout: Chapter 17 – Using the View Camera
- ·
Assignment #1 given:
106 images – shooting using a 4x5 and natural light
For
next week:
·
BRING: 8x10 Silver Gelatin B&W paper
·
BRING: Negatives you have shot for assignment #1
(preferably developed but must at least be shot and ready to develop)
· BRING: Negatives developed during class
· BRING: Negatives developed during class
| 1 | Jan. 25 |
- · Introduction to the class
- · Materials needed for the class
- · Facilities tour and equipment overview
- · 4x5 cameras introduced
- · pinhole camera concepts introduced
- · In class shooting and demo (with photo paper)
- · Developing in the darkroom
For
next week:
·
BRING: 4x5 film, 4x5 film sleeves
·
SIGN UP: get a barcode for your ID at Photo
Checkout
·
BUY: Film developer from Photo Checkout
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